Monday, July 18, 2011

Blood Beat (1982 83 minutes)


A hunter is out in the woods stalking whoever is playing the haunted version of Phillip Glass on the Casio. He misses and hits a deer instead so he brings it home to the quirky mom who wears a macrame pancho, paints all day, and may or may not have psychic abilities. It's the holidays and her  kids are coming - the son brings his quirky girlfriend who may also have psychic abilities. They go out hunting with some other guy and the girlfriend ruins it by freaking out in the woods and then she runs into another  guy stumbling around that has his guts all stabbed open. At this point I'm lost too. The situation at home is a little tense and the mom just wants to paint so the hunter is all distraught and goes to pout in the corner, watching TV with his headphones on. Meanwhile,  quirky girlfriend finds a suit of samurai armor that magically appears and disappears - is it somehow connected to mom's paintings? Then comes the scene that blows your face off - a random guy is sitting on his
waterbed in his robe and trucker hat playing with his dog named Chewkie and reading the paper. He nags his wife to go make him his nightly tea and orange drink and when she goes to the kitchen a glowing samurai spirit stabs her and then chases the husband all around before it shoots him with an arrow right on front of the house where the main characters live - all  while the quirky girlfriend is convulsing in bed like she's having an orgasm.  What follows is a crazy mix of The Exorcist and Enter The Ninja that  includes assault by
flying kitchen objects, more random samurai attacks on some campers in the woods, stock World War II footage, and the familiar strains of Orff's Carmina Burana during the final battle. The origin or reason for the samurai is never even mentioned or explained. What else would you expect from a director named Fabrice-Ange Zaphiratos

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